{"title":"Art magazines","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eUne sélection de publications pour questionner le monde. Retrouvez des revues indépendantes abordant les enjeux sociétaux, le féminisme, la politique, l'écologie et la pensée critique à travers des analyses poussées et des récits engagés.\u003c\/p\u003e","products":[{"product_id":"magazine-design-5-1990-decembre-1990","title":"Design Magazine 5:1990 - December 1990","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Vintage designer magazine\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLanguage:\u003c\/strong\u003e Danish, English\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition:\u003c\/strong\u003e used\u003c\/span\u003e\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":47172026106203,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/Design51990-Bonoeilmagazines.jpg?v=1761681746"},{"product_id":"sans-titre-2dec-_15-37","title":"Take care magazine #2","description":"\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eAbout the magazine:\u003c\/strong\u003e Take Care magazine is an independent publication focused on fashion in all its forms, mixing influences, cultures and highlighting youth.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eContents:\u003c\/strong\u003e With\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarine Armandin, Apollinaria Broche, Emma Collins, Naïa Combary, Marina Damjanovic, Rezvan Farsijani, Maxime Leblanc, Maxime Leyvastre, Sasha Marro, Mathieu Richer, Charlotte Robin, Ritalined, Lucille Thièvre\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eLanguage :\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEnglish\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCondition:\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003enew\u003c\/span\u003e\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":47393154302299,"sku":"","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/TakeCarenumero2-Bonoeilmagazines_1.jpg?v=1761680961"},{"product_id":"gourmandise-7-magazine","title":"Gluttony - 7 magazine","description":"\u003cp\u003e \u003cstrong\u003eContent :\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eFirst issue of the second edition of 7 magazines on gluttony, from the Latin gula, in French “gosier”. Poetic, isn't it? Thanks to cultural, advertising and artistic references, 7 dissects this beloved sin.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e French \u003cstrong\u003elanguage\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eCondition:\u003c\/strong\u003e new\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":47447259218267,"sku":"","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/7magazine-gourmandise-Bonoeilmagazines.jpg?v=1761603346"},{"product_id":"artforum-mars-2019","title":"ArtForum #57-7 - March 2019","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\n \u003cp\u003e\u003cstrong\u003eAbout the magazine:\u003c\/strong\u003e Artforum is the reference magazine in the world of contemporary art and plays the unique role of institution and initiator of taste in this sector. Founded in 1962, it is often the first to identify artists whose works define eras, offering high-level critical discourse to an international audience. Artforum's artist projects, reviews, and critical essays on contemporary visual culture, including coverage of film, music, architecture, performance, and media, offer rigorous, diverse perspectives and provocative on the cultural trends of our time.\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003eContent:\u003c\/b\u003e Paul Mpagi Sepuya, \u003cem\u003eDarkroom Mirror (_2070386)\u003c\/em\u003e (detail), 2017, ink-jet print, 32 × 24\". From the series “Darkroom Mirrors,” 2017–.\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eEnglish \u003cstrong\u003elanguage\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e new\u003c\/span\u003e\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":47613608755547,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/artforum577-Bonoeilmagazines.jpg?v=1761604127"},{"product_id":"artforum-avril-2019","title":"ArtForum #57-8 - April 2019","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\n \u003cp\u003e\u003cstrong\u003eAbout the magazine:\u003c\/strong\u003e Artforum is the reference magazine in the world of contemporary art and plays the unique role of institution and initiator of taste in this sector. Founded in 1962, it is often the first to identify artists whose works define eras, offering high-level critical discourse to an international audience. Artforum's artist projects, reviews, and critical essays on contemporary visual culture, including coverage of film, music, architecture, performance, and media, offer rigorous, diverse perspectives and provocative on the cultural trends of our time.\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003eContent:\u003c\/b\u003e Nicole Eisenman, \u003cem\u003eHook 'Em Horns\u003c\/em\u003e , 2019, stereogram, 10 × 10\". Collaboration with Sam Roeck and eyeTricks 3D Stereograms.\u003c\/p\u003e\n\n\u003cp\u003e English \u003cstrong\u003elanguage\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e new\u003c\/span\u003e\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":47613685432667,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/Artforumavril2019-Bonoeilmagazines.jpg?v=1761603179"},{"product_id":"flashart-magazine-issue-340","title":"FlashArt magazine issue 340","description":"\u003cp\u003e \u003cstrong\u003eAbout the magazine:\u003c\/strong\u003e Flash Art is an international quarterly magazine and publishing platform dedicated to reflection on contemporary art.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eContent :\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eContents:\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eLiving in a Material World.\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eTenant of Culture in conversation with Philomena Epps;\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eSelf-Conception in the Making.\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eTarik Kiswanson in conversation with Eleonora Milani;\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eCounter-stances and refusal.\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eDeborah-Joyce Holman in conversation with Cédric Fauq;\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eNightlife, Glamour, Art.\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eVisual essay by DeSe Escobar; Profile.\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.lespressesdureel.com\/auteur.php?id=568\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.lespressesdureel.com\/auteur.php?id=568\"\u003eBernadette Corporation\u003c\/a\u003e : Scaling Friendship\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eby Charlie Robin Jones;\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eFull-Circle Horror.\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eJames Bantone in conversation with Olamiju Fajemisin; SEMIOFUCK\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eEpisode I Droning\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eby Armature Globale;\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eIn the Mood for Muck.\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eGeo Wyex in conversation with Isabel Parkes; Letter from the City.\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eThe Last of Us Tell\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eby Vidisha-Fadescha;\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eA Whirlwind of Connections.\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eLafawndah in conversation with Jazmina Figueroa;\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003ePlants in a Garden, Tended by Machines.\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eNora N. Khan in conversation with\u003c\/span\u003e \u003ca href=\"https:\/\/www.lespressesdureel.com\/auteur.php?id=920\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.lespressesdureel.com\/auteur.php?id=920\"\u003eAndrea Bellini\u003c\/a\u003e \u003cspan data-mce-fragment=\"1\"\u003e; One to Watch.\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eInventing Male Archetypes that Privilege Softness and Introspection: Devan Shimoyama\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eby Jane Ursula Harris; Quiz.\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eTwo Kinds of Knowledge Shaking Hands: A Conversation About You Can't Trust Music\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eby Julieta Aranda and Xenia Benivolski; Critic Dispatch: Documenta 15.\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eIs Art Rooted in Life? Documenta, Now\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eby Frank Wasser.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish \u003cstrong\u003elanguage\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e new\u003c\/span\u003e\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":47671450501467,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/Flashartnumero319-Bonoeilmagazines.jpg?v=1761603011"},{"product_id":"artforum-issue-58-octobre-2019","title":"ArtForum #58-3 - October 2019","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eAbout the magazine:\u003c\/strong\u003e \u003cspan\u003eArtforum is the reference magazine in the world\u003c\/span\u003e of contemporary art and plays the unique role of institution and initiator of taste in this sector. Founded in 1962, it is often the first to identify artists whose works define eras, offering high-level critical discourse to an international audience. Artforum's artist projects, reviews, and critical essays on contemporary visual culture, including coverage of film, music, architecture, performance, and media, offer rigorous, diverse perspectives and provocative on the cultural trends of our time.\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cb\u003eContent:\u003c\/b\u003e Lauren O'Neill-Butler looks at the art of Agnes Denes, Barry Schwabsky at Jean Dubuffet and Jace Clayton at Christian Marclay. Additionally, 4 artists and critics reflect on the legacy of Douglas Crimp, Amy Taubin on Steven Soderbergh's The Laundromat, reviews of exhibitions from Paris, Zurich, Basel, Vilnius, and much more.\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eEnglish \u003cstrong\u003elanguage\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e new\u003c\/span\u003e\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":47722401497435,"sku":"","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/Artforumoctobre2019-Bonoeilmagazines.jpg?v=1761602792"},{"product_id":"sans-titre-25fevr-_11-04","title":"ArtForum #62-3 - November 2023","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\n \u003cp\u003e\u003cstrong\u003eAbout the magazine:\u003c\/strong\u003e Artforum is the reference magazine in the world of contemporary art and plays the unique role of institution and initiator of taste in this sector. Founded in 1962, it is often the first to identify artists whose works define eras, offering high-level critical discourse to an international audience. Artforum's artist projects, reviews, and critical essays on contemporary visual culture, including coverage of film, music, architecture, performance, and media, offer rigorous, diverse perspectives and provocative on the cultural trends of our time.\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003eContent:\u003c\/b\u003e Sam Gilliam, \u003cem\u003eFoggy\u003c\/em\u003e (detail), 2021 \u003cstrong\u003e,\u003c\/strong\u003e acrylic, aluminum granules, copper chop, sawdust, flocking, encaustic, and paper collage on canvas, 96 × 96 × 4\".\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eEnglish \u003cstrong\u003elanguage\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e new\u003c\/span\u003e\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":47730329354587,"sku":"","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/Artforum_novembre_2023_-_Bon_oeil_magazines.jpg?v=1761602622"},{"product_id":"artforum-60-6-fevrier-2022","title":"ArtForum #60-6 - February 2022","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eAbout the magazine:\u003c\/strong\u003e Artforum is the reference magazine in the world of contemporary art and plays the unique role of institution and initiator of taste in this sector. Founded in 1962, it is often the first to identify artists whose works define eras, offering high-level critical discourse to an international audience. Artforum's artist projects, reviews, and critical essays on contemporary visual culture, including coverage of film, music, architecture, performance, and media, offer rigorous, diverse perspectives and provocative on the cultural trends of our time.\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003eContent:\u003c\/b\u003e Sylvère Lotringer (1938-2021), Liz Larner, Toyen, Iiu Susiraja \u003cb\u003e\u003cspan\u003e...\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e English \u003cstrong\u003elanguage\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e new\u003c\/span\u003e\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":47730387747163,"sku":"","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/Artforumfevrier2022-Bonoeilmagazines.jpg?v=1761602488"},{"product_id":"artforum-58-7-mars-2020","title":"ArtForum #58-7 - March 2020","description":"\u003cp\u003e \u003cstrong\u003eAbout the magazine:\u003c\/strong\u003e Artforum is the reference magazine in the world of contemporary art and plays the unique role of institution and initiator of taste in this sector. 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Founded in 1962, it is often the first to identify artists whose works define eras, offering high-level critical discourse to an international audience. Artforum's artist projects, reviews, and critical essays on contemporary visual culture—including coverage of film, music, architecture, performance, and media—offer rigorous, diverse, and provocative perspectives on the cultural trends of our time.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e new\u003c\/span\u003e\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":49261002424667,"sku":"","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/artforum61-1-Bonoeilmagazines_2.jpg?v=1761600270"},{"product_id":"sloft-magazine-edition-6","title":"Sloft magazine - Issue #6","description":"\u003cp\u003e\u003cstrong\u003eAbout the magazine:\u003c\/strong\u003e \u003cspan\u003eSince 2017, Sloft Magazine has been connecting you to the world of architecture, design and decoration through accessible and compact projects.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eContent :\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e- 224 pages of exclusive and inspiring bilingual French\/English content\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e- 8 Exclusive Guided Tours with passionate professionals and individuals who reveal their architectural, decorative and design ideas to us\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e- 1 file dedicated to sport in the City\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e- 1 artist portrait, that of Maria Rosa Unda Souki\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e- A compact and very practical 17 x 24 dimension like Sloft\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e- UV offset printing on recycled matte paper from Fedrigoni for optimal photo rendering and an improved manufacturing process\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLanguage:\u003c\/strong\u003e French - English\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eCondition\u003c\/strong\u003e : new\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":49420929761627,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/Sloftmagazinenumero6-Bonoeilmagazines.jpg?v=1761599736"},{"product_id":"revue-audimat-22","title":"Audimat Review #22","description":"\u003cp\u003e\u003cstrong\u003eAbout the magazine:\u003c\/strong\u003e Audimat éditions pays attention to how life resonates in music, publishing essays on musical and social criticism, the social history of music, counter-narratives, and wild aesthetics.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eContent :\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"product__articles__item\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading__info\"\u003e\n\n\u003cdiv class=\"product__articles__item__title\"\u003e \u003cstrong\u003eBallroom: Prequels\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__author\"\u003e \u003cem\u003eTim Lawrence\u003c\/em\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__achat\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e \n\u003cem\u003eDrag Race\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecompleted its third season on France Télévision this year, while in small towns across France, young queers are gathering to learn the fundamentals of voguing. Stories are told, almost legends, of survivalist communities that invented a popular and fabulous form of art-entertainment, in reaction to the white dominance of drag dances in the United States. Part of the dance soundtrack is now taking off to become the jersey club, an essential sound not only in international dance music, but even in the French rap scene—yet few people refer to the discreet craftsmanship of a DJ like Mike Q, who helped define its foundations. What will be the fate of ballroom culture? The proliferation of sponsored drag performances and whitewashing? The development of a discreet but effective community support infrastructure across the board? The promotion of celebrity DJs specializing in the jersey club whose social and cultural origins have been forgotten? All of these at once? Only time will tell, but by tracing its origins in detail, historian Tim Lawrence makes the question very relevant, and invites those concerned to take a position. \u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading__info\"\u003e\n\n \u003cdiv class=\"product__articles__item__title\"\u003e\u003cstrong\u003eRatchet \/ Mumble\u003c\/strong\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__author\"\u003e \u003cem\u003eCamille Kingué\u003c\/em\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__achat\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003cdiv class=\"product__articles__item__text\"\u003eLook, this is a piece about two of the most exciting musical trends of the young millennium: that already good, old, mushy rap à la Playboi Carti and the latest ratchet-up (aggressive, exuberant, trashy) hits from artists like Sexy Redd. But it's by Camille Kingué, and it's not every day we welcome a poet trained in art history. So rather than recap the history of these scenes, let's take a detour through the words of feminist essayist and poet Maggie Nelson. In\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOf Freedom\u003c\/em\u003e , she is particularly interested in experiences with alcohol and drugs, and how these substances allow us to \"relieve ourselves of the burden of free will.\" But to achieve this, it is not enough to embrace one's own vulnerability—for not everyone is allowed to be vulnerable, at least not in the same way. This essay explores the ethical and aesthetic contours of this experience, by focusing on what rap does with it. Her lucid and uneasy writing also shows us a way of coming to terms with her own discomforts while asking a simple question: Why don't women make mumble rap? \u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading__info\"\u003e\n\n \u003cdiv class=\"product__articles__item__title\"\u003e\u003cstrong\u003eCountry \u0026amp; Variety\u003c\/strong\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__author\"\u003e \u003cem\u003eEtienne Castel\u003c\/em\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__achat\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003cdiv class=\"product__articles__item__text\"\u003eAlthough it has always been a significant phenomenon in the United States of America, country music is now extending its global influence, notably through the success of Taylor Swift and Zach Ryan. A few years after Lil Nas X's exploits, Beyoncé participated by re-examining the genre's racial boundaries, launching a whole cycle of conversations between promotion and critical debate. These conversations found some echoes in the French media, demonstrating once again that we are often more comfortable discussing cultural conflicts in the United States than looking at ourselves in the mirror. We were therefore wondering how to think about the relationship of French listeners to country music, or if there were equivalents in France, when we discovered the texts of Étienne Castel. A country music enthusiast and (yes) avid blogger, he approaches it in a refreshing way, far from the purist scholar who constantly returns to the original masterpieces. In talking with him, we realized that France already had its own stories with country, including in the variety repertoires that we thought we knew well. These in turn raise many questions, because noticing the importance of country in French songwriting and in the charts also means thinking about the reasons that push some people to prefer this influence to that of blues or folk. Country elements are, of course, a way of playing on a rural identity consciousness. This identity is in turn based, more or less obviously, on (received) ideas about what would constitute a popular, traditional, or white culture. French artists can therefore find in it a way to invoke what would be for them a lived, intimate, and obvious experience, as well as a folkloric\/exotic setting for their songs. At a time when political scientists and politicians are discussing a \"peripheral France\" or a \"France of the small towns,\" it is interesting to see how French songs were able to find their countryside in the South of the United States, and thus reveal the futility of a rural identity perceived as authentic and unified. \u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading__info\"\u003e\n\n \u003cdiv class=\"product__articles__item__title\"\u003e\u003cstrong\u003eAll fire all woman\u003c\/strong\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__author\"\u003e \u003cem\u003eCharles Wesley\u003c\/em\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__achat\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003cdiv class=\"product__articles__item__text\"\u003eWe had noticed the series of articles “Transvocalities” by Charles Wesley at\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eManifesto XXI\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eand we were very happy when he offered to write something for our pages. The result took the unexpected turn of a sort of self-genealogy of his taste. It's an exercise that could appear a little vain in absolute terms, but it offers here a privileged point of view on a relationship with music that music criticism seems to struggle to record, and which is nevertheless central to electronic and pop music of the last ten years. This relationship is constructed in the crisscrossing between a noisy and experimental music that has become more and more carnal, a pop that brings out the barbs and an increasingly intimate techno-industrial. By approaching his listening from a skin-deep perspective, Charles Welsey puts back at the center a pornophonic musical mode that suddenly appears to us, like a secret that would have always been hidden in broad daylight, and which was only waiting for him to become so clear. Any quest for music suddenly becomes fundamentally erotic, at the same time as a way of testing one's body and transforming oneself. \u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading__info\"\u003e\n\n \u003cdiv class=\"product__articles__item__title\"\u003e\u003cstrong\u003eLana, Taylor \u0026amp; Jack\u003c\/strong\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__author\"\u003e \u003cem\u003eMitch Theriau\u003c\/em\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__achat\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003cdiv class=\"product__articles__item__text\"\u003eWhile the roots of indie rock can be traced back to the 1960s, for example to the experiments of the Velvet Underground, its true birth certificate certainly dates back to the time of punk. After a few twists and turns on both sides of the Atlantic, its grunge offspring would be renamed \"alternative\" when wealthier American labels (yet independent of the majors) began signing bands like Sonic Youth or Dinosaur JR. Mainly coming from the white middle or upper classes, \"indie\" subsequently went beyond its rock origins, to define itself by its link with the practices of taste, distinction and \"informed choice\" of its listeners (record store and critical culture, collecting, digging, relationship to History, etc.). From the early 1990s, the popularity of a scene gravitating around this universe grew and its social base gradually broadened (we think of Fiona Apple, Björk or PJ Harvey). If we are to believe the literary critic Mitch Theriau, this movement of openness has intensified since the 2000s. It is as if the spirit of indie rock is now found to be assimilated everywhere, with the side effect of this impression that the era is characterized by its absence of sound, or rather by a neutral, even neutralized sound, which can evoke the distressing homogeneity of this globalized style of decoration that we find everywhere, from Airbnb to coffee shops. Jack Antonoff, one of the most emblematic producers of the years 2010-2020, has driven this evolution. This essay originally published in the magazine\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Drift\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003elooks back on his career and seeks to define his aesthetic to better understand the era.\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e French\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eCondition:\u003c\/strong\u003e new\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":49602130739547,"sku":"","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/Audimat22-Bonoeilmagazines.jpg?v=1761592086"},{"product_id":"revue-audimat-maxi","title":"Audimat MAXI Review","description":"\u003cp\u003e \u003cstrong\u003eAbout the magazine:\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTEN YEARS OF SENSITIVE \u0026amp; POLITICAL LISTENING IN ONE XXL VOLUME\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eFor the first time, Audimat is offering a best-of collection: Audimat Maxi, a large, comprehensive volume that brings together a selection of the best articles from our first 15 issues, already reissued and now out of print. Audimat Maxi looks back over more than ten years of musical niches in a wild encyclopedia, from vaporwave to UK funky, including New York beatmaking, noise, field recording, and power ballads.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eContent :\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Say what? UK Funky and the ineffability of groove - Tim Finney\u003c\/p\u003e\n\n\u003cp\u003e Thrash-Metal, pop orgies and outrageous gesticulations: manifesto of the immoderate and the unreasonable - Lelo Jimmy Batista\u003c\/p\u003e\n\n\u003cp\u003e Drake's Money Spleen - Mark Fisher\u003c\/p\u003e\n\n \u003cp\u003eA fragmentary and highly subjective history of the snare drum in pop music - Olivier Lamm\u003c\/p\u003e\n\n\u003cp\u003e Some preconceived ideas about the history of house music - La Fougère\u003c\/p\u003e\n\n\u003cp\u003e French as a second language - Agnès Gayraud\u003c\/p\u003e\n\n\u003cp\u003e The Age of Glitch: Utopia and Reification. For a Retrospective Critical Theory - Olivier Quintyn\u003c\/p\u003e\n\n\u003cp\u003e Gangsta-Rap: a postscript (2005-2015) - Fred Hanak \u0026amp; Pierre Evil\u003c\/p\u003e\n\n\u003cp\u003e Italy 70: Light Music, Years of Lead - Diane Lisarelli\u003c\/p\u003e\n\n\u003cp\u003e Music \u0026amp; Internet: You'll Never Guess the Impact on Your Brain! - Adam Harper\u003c\/p\u003e\n\n\u003cp\u003e What is a power ballad? - David Metzer\u003c\/p\u003e\n\n\u003cp\u003e Arranged Poems: Why Dig Even in the “Diction” Bin - Fanny Quément\u003c\/p\u003e\n\n\u003cp\u003e New Cyberpunk Dreams - Philippe Llewellyn\u003c\/p\u003e\n\n\u003cp\u003e Overdrive: Aesthetic History of an Electric Sound - Pierre Arnoux\u003c\/p\u003e\n\n\u003cp\u003e Music sounds better with who? - Étienne Menu\u003c\/p\u003e\n\n\u003cp\u003e After Psychedelia: Beyond Understanding - Julien Bécourt\u003c\/p\u003e\n\n \u003cp\u003eListening in the Ruins of Capitalism: Field Recordings and Forms of Life - Alexandre Galand\u003c\/p\u003e\n\n\u003cp\u003e Hail to Autotune - Simon Reynolds\u003c\/p\u003e\n\n\u003cp\u003e The Obsolescence of Intimate Songs - Mark Fisher\u003c\/p\u003e\n\n\u003cp\u003e Grime and gaming - Rob Gallagher\u003c\/p\u003e\n\n\u003cp\u003e Loving Punk as a Feminist - Ellen Willis\u003c\/p\u003e\n\n\u003cp\u003e De\/Reconstructing Club Culture - Victor Dermenghem\u003c\/p\u003e\n\n\u003cp\u003e The Platinum Age of New York Rap - Raphaël Da Cruz\u003c\/p\u003e\n\n\u003cp\u003e Precipitations of Slowness - Matthieu Saladin\u003c\/p\u003e\n\n\u003cp\u003e Dance Till You Collapse. Post-Crisis Party Pop - Dan Dipiero\u003c\/p\u003e\n\n\u003cp\u003e Noise and Nostalgia. The Call of Lost Innocence - Catherine Guesde\u003c\/p\u003e\n\n\u003cp\u003e Saving the Ambient from Itself - David Toop\u003c\/p\u003e\n\n\u003cp\u003e Arleen - Lucy Health\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLanguage :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFrench\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eState :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003enine\u003c\/p\u003e","brand":"Bon Oeil","offers":[{"title":"Default Title","offer_id":49602150695259,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/4625\/6731\/files\/AudimatMaxi-Bonoeilmagazines.jpg?v=1761592003"},{"product_id":"revue-habitante-6","title":"Resident Review #6","description":"\u003cp\u003e \u003cstrong\u003eContent :\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"product__articles__item\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading__info\"\u003e\n\n\u003cdiv class=\"product__articles__item__title\"\u003e \u003cstrong\u003eInclusive amenities\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__author\"\u003e \u003cem\u003eBarbara Penner\u003c\/em\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__achat\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003cdiv class=\"product__articles__item__text\"\u003eBarbara Penner is Professor of Architectural Humanities at the Bartlett School of Architecture (London) and a member of the Insurgent Domesticities research group at the Center for the Study of Social Inequality at Columbia University. With\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Bathroom\u003c\/em\u003e , a book published in 2013 by The University of Chicago Press and from which this article is taken, calls on us to inspect every nook and cranny of our domestic spaces to uncover hidden defects but also to free dormant desires and hopes. More specifically, she seeks to understand how a specific model of sanitary ware—small ceramic objects connected to urban water and sewer networks installed within a dedicated space and organized by precisely orchestrated rituals—has become established as the only valid model across a large part of the planet. \u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading__info\"\u003e\n\n \u003cdiv class=\"product__articles__item__title\"\u003e\u003cstrong\u003eAmazon: Neither here nor elsewhere\u003c\/strong\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__author\"\u003e \u003cem\u003eHugo Soucaze\u003c\/em\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__achat\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003cdiv class=\"product__articles__item__text\"\u003eUnder a bright sun, regularly swept by violent winds, a dozen large fields, washed away by the cultivation of vines since uprooted, lie between the exit of the A9 and the largest roundabout in the town: landscape of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBusiness as usual\u003c\/em\u003e , nothing to get excited about a priori. An Amazon warehouse in the Pale business park, in Fournès (Gard), is obvious at first glance, notes Hugo Soucaze. Moreover, the controversy that developed locally has aroused media disbelief in France and the United States. A correspondent from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNew York Times\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003edispatched to the scene in October 2020 wondered what was driving an area where employment was sorely lacking to consider the establishment of the warehouse as a blight - the resulting heavy goods traffic? The pollution of the river? - questions readily reducing the residents' concerns to an environmentalist concern without political subtlety, in disregard of the prevailing precariousness. \u003cbr\u003eHugo Soucaze decides to meet the protagonists of the anti-Amazon struggle, in search of the counter-narrative and the alter-project that emerge from it. Beyond the actors' play in the controversy and the power relations he observed, the political subtleties he reveals through the study of documents and procedures related to the public inquiry in which the conflict is rooted are undoubtedly the most likely to address a fundamental issue: the construction of a new democratic narrative. \u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading__info\"\u003e\n\n\u003cdiv class=\"product__articles__item__title\"\u003e \u003cstrong\u003eExceptional areas\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__author\"\u003e \u003cem\u003eKeller Easterling\u003c\/em\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__achat\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003cdiv class=\"product__articles__item__text\"\u003eKeller Easterling is an architect and professor at Yale University in the United States. Her research focuses on infrastructure and how it supports city-building on a global scale. Originally published in 2012 in the journal\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePlaces\u003c\/em\u003e , Keller Easterling's article was originally published under the title \"Zone: The Spatial Softwares of Extrastatecraft.\" She studies the development of special economic zones and their extraterritorial status. A phenomenon that Easterling expands and which has been translated here as \"extragovernmentality.\" The whole interest of Easterling's work (which has never been translated into French) lies in its way of detailing all the complexity of the layer cake of spatial, technical and economic governance in a context of advanced globalization, based on a diversity of situated case studies. By providing us with knowledge often limited to technical data sheets and bureaucratic documents that are difficult to access, Easterling invites us to participate in the rewriting of the default \"spatial software\" that governs contemporary urban planning associated with liberalism - and offers us the keys to being able to hack it. \u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading\"\u003e\n\n\u003cdiv class=\"product__articles__item__heading__info\"\u003e\n\n \u003cdiv class=\"product__articles__item__title\"\u003e\u003cstrong\u003eThe undergrounds\u003c\/strong\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__author\"\u003e \u003cem\u003eYsé Sorel\u003c\/em\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__achat\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"product__articles__item__text\"\u003e For many people, living in adversity, living in the ruins of capitalism, often begins deliberately with an admission of weakness, a pause, a silent and discreet search for the fragments of another story.\u003cbr\u003e This is what Ysé Sorel proposes to us in this literary text centered on the figure of Orpheus. 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In this third issue, we \"chabe\" the city of today and yesterday,\u003c\/span\u003e \u003cspan\u003ewe wonder, we marvel, and sometimes we worry, we smile or we are moved.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eContent :\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eChabe! 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International, well-designed, simply written, and tastefully presented since 2008, it's an indispensable resource for people passionate about their lifestyle. The magazine is published twice a year from its headquarters in Barcelona.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eContent :\u003c\/strong\u003e  \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEspace Aygo, Ronan Bouroullec, Rose Wylie, Agosto Machado, Miyako Bellizzi, SAGG Napoli, Jane Dickson, Luca Lo Pinto, Gary Schneider \u0026amp; John Erdman, Celeste, Beca Lipscombe, Edgardo Giménez, Molly Manning Walker, Danny Fox, Bethan Laura Wood, Tove Jansson, and Olivia Laing. Plus: Texts by Phoebe Chen, Wale Ayinla, Janika Oza, Thea McLachlan, Miguel Ángel Hernández (tr. Fionn Petch), Claudia Durastanti, Elena Saavedra Buckley, and Maria Judite de Carvalho (tr. Margaret\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eJull Costa); and 'The Kid with No Dad', a short story by Alejandro Zambra (tr. 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